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This article examines some of the ideas that Theodor Adorno elucidated around the term “cultural industry”, compiling mainly the ideas published in the text “Aesthetic Theory” of 1970. The term “cultural industry” is also contextualized in the article with the reflections that Adorno previously exposed since 1947. Concerning the relation between art and autonomy the ideas of Adorno offer elemen...
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The term culture industry was perhaps used for the first time in the book Dialectic of Enlightenment, which Horkheimer and I published in Amsterdam in 1947. In our drafts we spoke of 'mass culture'. We replaced that expression with 'culture industry' in order to exclude from the outset the interpretation agreeable to its advocates: that it is a matter of something like a culture that arises spo...
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This study examines the intersections of music, philosophy and the use of metaphors and other linguistic expressions relating to violence in the writings of Theodor W. Adorno. After discussing contemporary theories of metaphor, it examines Adorno's comparisons of the music of Schoenberg and Stravinsky in his 1948 volume Philosophie der neuen Musik, the posthumous collection of fragments for his...
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“It is a very strange relationship.”1 Writing to his mother in January 1947, when the collaboration with Thomas Mann on Doktor Faustus was reaching its end, Theodor Wiesengrund Adorno would still fi nd their connection impossible to describe. From today’s greater distance we in turn cannot presume to say defi nitively what it is that went on there. Certainly, a novel was written; certainly, a d...
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ژورنال
عنوان ژورنال: Journal de Comunicación Social
سال: 2020
ISSN: 2413-970X,2412-5733
DOI: 10.35319/jcomsoc.2020111238